I owe a great deal to Bewitched. The first sitcom I ever cared about and watched religiously (via the magic of frequent reruns and DVDs), it is no exaggeration to say that my passion for sitcoms and television in general may not be where it is today without the iconic witch with a twitch.
I remember sitting at home with my mom well over a decade ago as she flipped through the channels and stopped on Bewitched. She explained its basic premise and how it had been a favorite of hers years ago; I was instantly intrigued.
“So, Samantha and Endora are both witches?” I asked. My mom nodded.
“What about him?” I inquired, indicating Dick York’s Darrin (by the way, if there is anyone who prefers Dick Sargent’s Darrin let me know as I have never encountered such a person).
“Nope, he’s a mortal, but Endora and Samantha sort of help him out sometimes,” mom said.
The more I watched Bewitched, the more I loved it. What’s not to love? The writing is funny and clever; the cast is wonderful (i.e. Darrin and Larry as the advertising dream team decades before Mad Men’s Don and Roger existed) and features some of the funniest and most memorable supporting characters of any series (i.e. nosy neighbor Gladys Kravitz, incorrigible prankster Uncle Arthur and bumbling Aunt Clara).
Then there’s also the fact that Bewitched really was ahead of its time in that it had such a strong, independent female protagonist––something that quite a few people seem skeptical about when I bring it up to them. They wonder: Isn’t Samantha a witch who becomes a housewife upon marriage and promises to give up witchcraft to please her husband, Darrin? To which, I say: Yes…but not quite.
Yes, it’s no secret that Samantha promises Darrin she won’t use witchcraft (a promise she rarely keeps, otherwise there would be no show), but this isn’t him controlling her. It’s her choosing to have this life. The mere fact that Samantha, a witch who could zap up any dream man with a twitch of her nose, chooses to marry an ordinary mortal deemed extraordinary by her because she falls in love with him is in and of itself a sign of independence; she is choosing the life she wants, damning the consequences. If it’s considered rebellious to sneak out of the house as a teenager and risk punishment, imagine how much of a rebel Samantha was by defying her entire supernatural family’s wishes and living as a mortal.
Sitcom Study: Bewitched’s “A is for Aardvark” (1×17)
Relevant Episode Information: After Darrin finds himself bedridden due to a sprained ankle, Samantha casts a spell that causes their house to respond to his desires. But will he become too carried away with his newfound witchcraft?
In what producer William Asher considered to be the definitive Bewitched episode, “A is for Aardvark” reiterates just how much Samantha loves and values her life with Darrin. The episode has several humorous moments as Darrin grapples with and ultimately enjoys his newfound magical prowess, but what really makes it so pivotal is its emotional ending. Fully embracing the magical life, Darrin retracts his objections to witchcraft and now fully supports living a more supernatural life. He goes as far as quitting his job and proposing that he and Samantha partake on an extensive trip around the world. This breaks Samantha’s heart; she doesn’t want such extravagance, she is happy with the life they have built and earned together.
Finally, Darrin comes around as he presents Samantha with a bouquet of flowers and a watch (“I love you every second” as the inscription):
Sam: “Oh Darrin, I love you… please believe me, this watch and these flowers are the most important things I’ve ever had in my whole life…but I want you to understand.”
Darrin: “I do understand, no one’s gonna take them away from you…I don’t know if I’m too crazy about the idea of never having to worry about anything anymore. “
Sam: “Oh! You do understand!”
The scene is particularly poignant not only because it highlights the sincerity of the couple’s love and Samantha’s commitment to living as normal of a life as possible, but it also reveals just how human Samantha truly is as a character. She does not want anything handed to her, she wants to make her own happiness. The tears she cries here are tears of joy; she is relieved that the man she fell in love with is not lost. She is relieved to work for what she wants and enjoy what she has. What could be more human for a witch to feel than that?